The authors of the exhibition do not refute this myth. The high, humanistic culture of a multinational, multicultural and multireligious state that avoided religious fights, but took up religious polemics and disputes, could arise within the limits set by the relevant laws. The sign consciously uses the rich symbolism hidden in the coats of arms of the Eagle and Pahonia placed next to each other, intended to evoke all nations living in the Polish-Lithuanian Commonwealth and the Grand Duchy of Lithuania under the rule of the Jagiellonians. This item is a gold-embossed supralibros of the king as ruler of the Crown and Lithuania. One of the decorative elements appearing on the bindings of the volumes belonging to the last Jagiellon was used as the leitmotif of the exhibition. How was it born? Documents and artefacts, which are a tangible testimony of those times, prove that it was built on a strong foundation created by the Jagiellonians. They encourage to look through their prism at the myth of the Golden Age, which is deeply rooted in Polish tradition and culture. The relics gathered at the exhibition “The Golden Age of the Jagiellonians” allow us to reflect on what the Poland of the Jagiellonians was like.
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